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What did we do in French cinema? – Danny Mlate

In the ruthless and inexhaustible universe of the second opus, it happens remarkably that some are better than the original film. What did we do to God? this highly anticipated continuation, unfortunately, derogates from this rule. The film, directed by Philippe de Chavordon, and the original film, worn by Chantal Laubi and Christian Clavier, returns entirely to a comedy reminiscent of prejudices to better condemn them. If we take the same recipe with a little change in the story of the film, adding some actors, we still find families and Vernayl Kofi together in full. In her first episode, Maria and Claude Verneil (Chantal Lobby and Christian Clavier) married their four daughters, Isabelle (Frederick Bell), Odile (Julia Piatone), Segolene (Emily Caen) and Laure (Elodie Fontan). Opportunity for parents to fulfill their four son-in-law. Vernay's family situation changed little from the first film: the four daughters of the couple, Isabel, Odile, Segolen and Laure, want to fly to follow their spouses in their country of origin, and parents will make it impossible to hold back.

When the old guard is filming the movie

Frederick Cha, played by Chao, one of the four mother-in-laws, said: "I think this second part will be controversial, just like the first, but in a different style. Because what we did with God is still dealing with sensitive subjects, such as is the identity, religion, living together, prejudices. Besides the excitement given to them by disappointment when, in the desire to condemn racism, segregation, the weakness of the French (the people known for being tormented), the film is stupid stupid, predictable, simplified and racist, an association of sketches of all races and religions, without originality or creativity, which makes us forget that the film is primarily a story-led story.

The poverty of the dialogues and the absence of freedom in the actors' performance do not regulate matters. Between Ari Abitane, who makes his show, Frederick Cha and Noom Diavara (pseudo-actors) and girls with smaller roles, it's a little bit of the benefits of the elderly who are left to rent. They are the strangest characters in the film. Christian Clewier, who, despite his extra pounds, dominates in casting often light, smooth and interchangeable, and Chantal Laby in the old bourgeoisie, but who does not forget that before being a kato, she is especially mother, she retains the standard of the film.

Yellow laughter

At a time when everything slips, where the political parties are disagreeing, where some media tend to darken the image of a nation, where everything is not so bad (still), shot before an attack on vests yellow, the film is a social discourse , neither right nor left, focused on cohesion, and tries to calm the ghosts and gather people of eternal depressive, always mumbling, who wants to present himself as a victim and who has been striking since the early morning, in the sensuous dynamics (yellow foreheads) hours. Overcrowded people, permanently uncertain and require more flexibility. The film has meritorious preaching of a nation capable of living in harmony and especially enjoying a country with so much envy. As an informed philosopher, Klavier encourages the French ID card to use his right to the stomach, disagree, discuss and even accept a strike with some pleasure in his color. local, in order to better defend their country, its true values ​​and its battles have won the inauguration of a well-respected marriage for all and respect for former Justice and Justice Minister Cristian Taubira. A film that boasts of being the centerpiece of news that shows that French diversity, before being an ethnic or community, is mostly social and economic and that today it has plunged the whole country into chaos inseparable. Of course, the film can not be left indifferent, because it does not appear, with its approach to delicate topics, such as a sweet job that chose laughter for laughter. He pushes for thinking, already in his own speech. But he confuses the "play comedy" and deliberately mocks without a creative axis. At a time when this color is current, we can only laugh "yellow".

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