Glenn's editions on Thursday in Grenoble opened a permanent exhibition of Rembrandt's belts, acquired in 2017 and temporarily displayed to the public several months later.
Due to conservation, these works will be presented away from a natural light, in half the light of the old salons of the Saint-Cecil Monastery, where the publisher of Grenoble has set up his headquarters. In this dark, small room, the families came to meet their imprisoned daughters.
These seventy-two masterpieces by the Dutch painter, acquired by a British collector, will be shown in rotation. The first half will be visible until the fall.
The first thirty-six fingerprints, sometimes barely larger than postage stamps, were grouped into six main themes-bare, mythological scenes or self-portraits-and chronologically exposed to highlight the evolution of aqua-pharytherm technique. Dutch master.
"Rembrandt was famous for his paintings, but he was also passionate about engraving, he bought those of his colleagues and ruined it for it," said Jacques Glennat during a presentation at the exhibition.
These engravings "provide a very good idea for the development of Rembrandt as an artist and for the many topics it covers," says Jaco Rutgers, a Dutch art specialist and curator at the exhibition.
A digital exploration of five works by the artist – including the famous "Portrait of the Eyes" (1630) – will also be offered to the visitor.
The second will also have a magnifying glass to admire the finesse of the presented work.
"Rembrandt worked on red copper plates, covered them with a bow, then took a dry drawing point before falling into a nitric acid bath, wiping and smoothing," Sophie says. Boizard, publisher of Glénat.
The artist, who perfectly mastered this technique from 1635, "was inspired by his immediate surroundings. The only missing theme is that of the landscape," she adds.
In total, Rembrandt made 290 prints until his death in 1669.
? 2019 AFP