Martin Scorsese's tribute speech to ACI FEST has evolved with unforgettable anecdotes, including the director's longstanding desire to work with Al Pacino.
The awards season is long and people are (already) tired, so it's so refreshing when a candidate breaks the character on the road to show some humanity. That's exactly what happened in Friday Night Talk at ACI FEST with Martin Scorsese in Los Angeles, when the director "The Irishman", humbled by being so lofty in dance shows and huge praise, calmed down the room they went down in front of the audience, "Just try to relax and enjoy the movie."
The Q&A began as the president of the American Film Institute and CEO Bob Gazale, asked the audience to think in a world where Scorsese never existed. "But we were less in touch with each other and with each other. Less human. Let's be less, "he said. "In short, it's unthinkable. Now wake up from this nightmare of George Bailey, for he is resurrected: A young boy who wanted to become a priest today, a saint of American cinema. "
The conversation is part of "The Irishman", but also touches on efforts to preserve Scorsese and the bottomless well of cynical knowledge. Scorsese said the "Irishman" flourished from the mutual obsession of his and star Robert De Niro with soap rugs from Vincent Minelli in the 1950s.
"We were actually talking about this project going back to the 1980s," Scorsese said of gathering the "Irish" with Robert De Niro in the lead as Frank Ferran. "We started wanting to do our own version of 'Bad and the Beautiful' and 'Two Weeks in Another City,'" said Scorsese, two Minelli-directed films by Minelli that define the American melodrama. "About that time, Bob [De Niro] it grew one way and I grew another. We found ourselves in different pillars, but we tried to come back together to see if there was anything else we could do besides 'The King of Comedy', "referring to his collaboration with De Niro in 1982.
"It was on time." It's been a lifesaver for us in the 60's and 70's in Hollywood and cinema. That element of time stayed with us, even when Eric Roth [the film’s screenwriter] gave him this book, "I Heard You Paint Houses," Bob gave it to me for research, and he said, "Maybe this is better." He explained to me Frank Ferran … and then I realized that's where he was going to go, " said Scorsese. "Maybe this gives us the opportunity to do no other painting in the same sense, so to speak, without further depth. But perhaps we can find depth, and it turns out that we are. Meaning life. Now we are 75, 76 years old, look back. Thinking about the things you've done in your life, or the things you want to do … is there a chance to experience it? And even if it does, who knows. "
But perhaps the most memorable anecdote of the evening was Scorsese, sharing the experience of meeting the first timer of one of his films, Al Pacino. Yes, it is strange to think that Al Pacino never started in Martin Scorsese's film, but it is true. In "The Irishman," Pacino plays Jimmy Hoffa, but initially Scorsese wasn't sure if he could bring the veteran actor aboard.
"For years I wanted to work with Al. Francis Coppola introduced me to him in 1970. Then he's in Godfather One and Two and he's in the stratosphere, "Scorsese said. "For me, Al was always something inaccessible. We even tried to make a movie in the eighties, but we couldn't get the funding for it. I said, "Who does she want to work with?" Bob said, "Oh, he's great. You'll see. & # 39; "
Scorsese added that there is a meta-aspect of seeing Pacino and De Niro interact in "The Irish". "" What you see in the film is their relationship as actors, as friends, over the past 40, 45 years. There's something magical going on there, "the director said.
Scorsese otherwise kept the conversation short, ending the speech, telling the audience: "Guys, it's a long film. If you can see it on the big screen, it's nice. ”
You can still catch "The Irishman" in theaters, but he finally made it to Netflix on November 27, just in time for Thanksgiving.