Recently, two people have been devoted to a transport strike. Although the death of a person dies, the maximum penalty for drivers will not be spent for five years, and they will not be able to pay five lakh rupees for compensation. They decided to kill people. Because people are dying, they can not pay this prison sentence. Such bizarre abusive and strange dangerous dangers take place in the city day and night. As always with a demonic spirit, Ranu, you have no release until death.
Ranu is a character from the novel Goddess by Humayun Ahmed. Anam Biswas has recently produced a movie from the novel. So in a two-day strike a private car was pulled out, but in the face of a burned candle or simple ink in Bengal. The student's black ink from college was also sprayed with ink. What is the worst example of chaos! In this, like other people, I have a black spot in my head. So with this stain I approach the "Goddess" philosophy.
The story of the film is so short that a girl named Ranu believes that the supernatural being lives with her. Incidentally, it became part of the Hindu spirit of Rukmini Devi. Thanks to his influence, Ran can say many events in advance. It is complicated in the world. Anis's husband worried about this unusual behavior of his wife's wife a year ago and went for a cure, a clinical psychiatry teacher, Miss Ali. Nileu, the eldest daughter of the owner of the house, is again rented in Anis. When Ali tried to shake the mystery of Ranu by learning logic one day and night, the Nile was involved in a terrible relationship with a stranger. His name is Sabet. Sabteet is actually a sick killer who is an English serial killer. Nilura can lose her life. After leaving the Ranu, the goddess Rukmini came to Nilura with her supernatural powers. Neelur is a companion companion who teaches Sabata Ranu died after Devi left. Later, the arrival of Nilura gradually became a runner, which means that the goddess of the goddess came up with an idea. This is history.
This goddess once saved the Rana inside the temple of Vishnu. A person named Jalal Uddin tried to seduce a teenage girl in the temple. Then the so-called goddess enters the body of the Ranu. Zalaluddin, who was afraid of this incident, fled from there. The novel contains the age of this temple for three hundred years. Then people from Palaas founded a temple and sacrificed a girl to appease the goddess.
Here in the movie it is said that two more girls were sacrificed. Those who later continue the goddess become an insatiable soul. As if my mother was going with two daughters.
In the film, the trip to the ancient times of the temple took place three hundred years ago, which means retrospection, the year was shown 1757 years ago. This period is very important for the policy of the subcontinent. You can see that in the year in which the girl was sacrificed, the goddess came and took the jugs. A Girl Who Has Been Saved Similarly, in modern times, this goddess Rukmini protects the Ranu. Later, Niluake saved himself from being killed. What distinguishes these three incidents is the fact that he is always the protector of women of the Goddess. The film has to be praised for the fact that the woman's helplessness and strength have been identified. Of course, the basic idea is Humayun Ahmed. The authors wanted to open the power of women. It is said that women can be sacrificed, rape can be made, distorted material of desire can be created, but most of all the strength of women, just like divinity. This power can not be explained by world reasoning. Miss Alio could not do this.
Now the question may arise that Humayun or Anand praised the blind faith? Or he became superstitious? In answer to this question, I would like to ask the question if night stories are the triumph of magic? Shakespeare's storm is like that? Is Bengal's grandfather? At least, if I say Rabindranath Tagore's "hungry stone" – where is the goddess, how the novel, Nupura's unpleasant odor and nikonera appeared on earth, 250 years ago, to Iranian grateful Gulbag? Are these preachers of prejudice? Certainly not.
So I want to say a modern fairy tale "goddess". This statement puts me in the form of a metaphor. They want to say that women seem seemingly weak and fragile, and men take this opportunity, but stupid people do not know what that woman or maternal power is! What is his attempt? This mood was inaugurated in the woman's mind.
The goddess Rukmini described in the story is in the Purana. Consequently, Rukmini is the daughter of Vidharvaraja Bhishma and the wife of Srikrishna. Rukmini is called Avatar of Laksi. That's why there was a path on the Ranu side in the director's picture? If this is the case, it is best to use a metaphor for the director. Let me say that this goddess Rukmini was also a victim of patriarchy or patriarchy, but whose krishna lover thinks about her? Rukmini decided to marry Krishna, but Rukmini's parents refused to marry Krishna. Even her marriage was arranged somewhere else. This is not a jug of milk, it's Krishna. She stole Rukmini and fought with her parents-in-law. Krishna won the fight. Rakmini is Krsna's chief wife after marriage. Krishna and Rukmini were born to ten sons and one daughter. According to the mythology, the director of the film could have kept the devotee without showing the couple.
In any case, the other question is seen by the viewer in the picture, the story was about three hundred years old, but why did the director choose 1757? He could leave only the 18th century. My idea was that the director wanted to match the subordination of women to political subordination. Sirajuddaula, the last independent Nawab from Bengal, was defeated by the English this year in the Amarkan platoon. The English should be a symbol of masculinity and a symbol of women handicapped by Sirajuddaula. In order to free women from conquest, it is a great force to die, and when power is available, it rages in anger, anger, madness and destroys people like Jalaluddin and the Sabbath.
This message of the novel and the film was very interesting to me as a metaphor. Director Anm Biswas is heading towards a film adaptation or cinema adaptation of the German film Zygfryd Krakowar. Although there were some changes, the director was faithful to the original story and the language of literature. He followed Nile Bilu's novels in the car after he was caught by the kidnapping of the car, showing the teacher-student relationship of Nilu with Misir Ali, some changes in the imports of two children and almost all the places following the novel. But I think the point of view of the scene could be more organized.
It seemed to me that the film moves along the way, telling the viewer that the story of the story is scratched. There was no grinding of the grain. Despite the format of the image, the public could easily communicate with the story because its main reason is reading the novel "Devi" almost everyone. But viewing this image without prior thought may be a slight discomfort to the viewer. The reason is that several times in Run Hut there are idle moments of Run. Sometimes, some scenes seem to be for now. The film was melodic. Besides, the hit of the formula, which remains in the music of the film, the idea is the tendency to enter this song. It's like a song that put in a romantic song like Anjan Dutt, "Do not put on a naughty song, Dada, Naughty songs."
The greatest tragedy of the film was caught in Dabing. In many places the dialogue was not mixed up with the hero's face. In addition, there was also a weakness in connection with accessories or props. Like Miss Ali, the oldest and always attractive Nokia mobile phone Sometimes black phone is a basic phone. So it's not just the person who has just been in Phitoula Tin's house and the person who runs the tricks, there are not two cell phones. When he went to the village, Miss Ali, went there and talked to him from the cell phone store. So where was his phone? This story is not in the novel when talking to mobile phone stores.
Among those who acted in the film, in addition to Jay Ahsan, the Ranu played the role of one's mind. The reason for this is that due to the nature of the actor, no selection or lack of appropriate guidance. As the age and experience of Miss Ali, Chanchal Chowdhury does not match any of her. He is a good actor, but he is not suitable for this character. Joy can be adapted to the Tentune of the Ranu aged 25-25. Although Ranu is less in the novel: 16-17. After kidnapping Shubham Faria, who was to react like the Nile, he was not found before the murder. Panic was lashtuku, but panic did not swallow him. But at the same time it has to be the same. Nil has vomiting in this novel. Animas Aich is quite rude as the husband of Ranu Anis. In the role of Sabet, Eresh Zaker was considered very bad in action. I do not want to comment on the rest of the others. He wondered a lot about the heroes' dresses.
It may seem that the deletion of all these details of the film seems to be that the picture ultimately did not get into the dispute, it was prejudged, as I mentioned earlier at the thought of thinking that it would be considered a mythology. But "Devi" Satyajita Ray (1960) did not take shelter of metaphor, but instead stood directly against superstitions. There you can see that the boy discovers the incarnation of the goddess Durga by Kalka Kinker's sleep in the Merciful, and the consequences are terrifying. Satyajit made the painting attacking blind faith and superstition in the nineteenth century. On the one hand, this picture is about subordination of women and the unlimited power of women in the final judgment. In the last scene, we see the goodness of in-laws, husbands, family and all the reforms of society, in which two eyes leave, heading towards it. There is no other job than the hundred invitations of Umprasad's husband. He should be above everything. The departure of the emissary to the emptiness of the merciful man, leaving everything to go.
The girl standing in the stomach stood in turmoil, during the strike, three years ago, the girl who was sacrificed, was seen in front of the temple or by molesting the Wound, after torturing the Nile, or oppressing imposed on the merciful father … or on the prejudices of the male habit, It is the duty of the father and brother against the will to create a thread that is necessary for the subordination of women, his subordinate condition. But this woman is naturally a source of energy. Understanding the subconscious was not understood, but why the power tank? Because of the growth of humanity in the womb of women, its nutrition in the nests of women. Stay here today. Win the power of women
Riba Rivu: Authors, journalists and film critics