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The political persecution of Mercedes Sosa, the exile and the desired return



Mercedes Sosa was rewarded by Google for 54 years since its first presentation at the National Folklore Festival of Kokusen. In the media around the world his life, his work, his voice and his struggle are remembered. An artist who fought against oppression, rebelled against the army and had to go to exile to save his life.

Mercedes He was born into a modest family, his father was a sugar industry worker, and his mother worked as a hug for better families. From a very young age she was in contact with the Peronist movement. He was a supporter of Juan Domingo Pern in his youth and supported the causes of the political left throughout his life. In fact, he joined the Communist Party in the sixties. Therefore, after the coup on March 24, 1976, he was included in the blacklist of the military regime and their records were banned. Since then he has started a tour of Europe and the north of Africa accompanied by the young Guabu guitar player, Argentino-Peruvian Luo Gonzáz.

When he returned, he struggled to stay in the country despite obstacles and threats. She was not until 1978, in a recital in La Plata, she was searched and stopped while on stage. The only night I was imprisoned was after your recital in La Plata, in the old San Jose store. You were excited and sang songs that were not allowed, you opened the windows to listen to those who could not pay. We were all euphoria. But they arrived with their weapons, finally made visible what we knew was happening. We arranged in the yard, noted, terrified; perhaps with his own fear, in an office where he made you listen to the songs he sang, showing his disobedience. At six in the morning, they thought they had already given us the lesson and went out in the sun. You know what? It was worth it, wrote a woman, also called Mercedes, who was present that night.

Soon, in 1979, he had to go to exile. I first lived in Paris and then settled in Madrid. Despite the sadness that I did, I never stopped singing and recording albums. One was the Serenade for the country of one (1979), taking her as the song of the same title Mara Elena Walsh: It hurts if I stay, but I die if I leave. Already in 1981 in France was recorded the album A quin doy, whose title was taken from the song of Julio Lacara, which begins the album, is called exile (To whom I give the strings of my guitar, so that they do not sound sad at that time from my Addis). That record was released in Argentina with a different repertoire from the original, because censorship does not recognize Suway with snakes (from Cuban Silvio Rodriguez), Fuego de Asman (by Cara Isela and Armando Tayada Gmiz) or by modest people (from Garoto, Vincius de Morales and Chico Buark).

Exiled from her home, the voice of Latin America I was suffering exile. And the punishment was double, after her second husband, Pochio Maziteleli, died. Even she linked it, then, suicidal thoughts flooded their mind. He returned to Argentina in February 1983 after the Falkland War. On that occasion, he made a series of historical recitals that became a cultural act against the dictatorship. But recently he managed to settle in the country after the democracy was restored on December 10, 1983. Since then, he has struggled to protect the democratic regime.


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